Hardcore v The Miseducation - Which LP is more important to hip hop?

Pun1sher

soul rattler wrote: »

Missy's wasn't MORE artistic than Kim and Foxy's... it was just different. Lauryn Hill on the the other hand was on another level. Content wise it's not even close.

lol @ artistic enviroment. Music is art you dumbass

You kaleidoscopic, bottom of the pussy hole faggot...if Missy was offering more than what Kim and Foxy was, in terms of the execution of the music, she IS/WAS more artistic than them, you little bitch.

Content was NOT your original argument, dick breath. You implied that Lauryn offered an alternative to the Kim's and Foxy's, because Lauryn was an artist, that didn't conform to the Kim and Foxy formula of sex. Does this not apply to Missy as well? Or better yet, was Missy not an artist?

Go back to Tha Corner. Oh yea, that's right. They ran your gay ass off.

soul rattler

lol he's so mad he's not even making a coherent argument.

soul rattler

thanks for the boosted post count tho

Ibex

Hardcore is a rap album, Miseducation is an R&B album with rap features....I would give Hardcore the edge because no female MC has made a rap album that is better, but there are a lot of R&B albums that are just as good or better than Miseducation.

Pun1sher

soul rattler wrote: »

lol he's so mad he's not even making a coherent argument.

What am I suppose to be mad at, retard?

DEAD @ you implying "music is art", but using Lauryn's "artistry" as the primary reason why she's supposedly on "another level."

You make no sense at all, and that's why you flip flopped from talking about artistry...to content. ROFL.

I seriously wish you would fucking DIE already.

c1up

I'm THAT guy... wrote: »

Nobody's perfect reminded me of when Missy had the game on lock, doing what a lot of artist are doing today

one of my favorite songs, I think it's time Missy gets the credit she deserves for her innovation in hip hop and female rap too

Missy>>>>>>>>>

But back to the thread Miseducation is more important to Hip-Hop as a whole, I feel Hardcore did more as far as females rapping and keeping it just as gully as the men did plus it pushed "sex rap" to the front of the game for females

damn sir props on the drop, Missy was very official

georgia boi

I respect Jean Grae, but her not being marketable is ludicrous. Missy Elliott was not marketable either, but she found a market. When Missy came out, there wasn't anybody rappin' over the type of beats she was rappin' over. There wasn't a category that Missy could be put in stylistically. She didn't fall into the standard of what was sexy, she didn't have a popular rapper to vouch for her or give her that co-sign. She took a chance on a sound that had only found it's place in R&B with a producer that was still relatively new to the game.

I understand that Jean Grae isn't on a major, which limits her reach, but to say she's not marketable is a whole other argument.

soul rattler

georgia boi wrote: »

I respect Jean Grae, but her not being marketable is ludicrous. Missy Elliott was not marketable either, but she found a market. When Missy came out, there wasn't anybody rappin' over the type of beats she was rappin' over. There wasn't a category that Missy could be put in stylistically. She didn't fall into the standard of what was sexy, she didn't have a popular rapper to vouch for her or give her that co-sign. She took a chance on a sound that had only found it's place in R&B with a producer that was still relatively new to the game.

I understand that Jean Grae isn't on a major, which limits her reach, but to say she's not marketable is a whole other argument.

I find that this post is most enjoyable whilst playing this in the background.