Personally i don't think either Nas or Jay won anything...unless you completely destroy somebodies Carrier you haven't done shit and whats funnier is yall going in on this when jay & nas have been over it for quite some time
So is Stan but niggas still despise...
I mean in real life who won that JayZ vs Nas beef...
One of the dudes went on to take over corporate America, performed at Obama's fundraiser on national TV, married "the hottest chick in the game", chilled with Oprah on the stoop, covered Forbes with Mr. Warren Buffet...
And the other guy is Nas...
Don't try to use the off wax sucess card.All Jay proved with all those accomplishments is you can get smashed up on wax and still be somebody if you turn into a big enuff sell out, and snake enuff of your comrades that's all.
Again, this from a man who hasn't had an album worth buying since the black album. That came out in 03 and its 2011 if Jay don't come out with some bomb shit by this time next year he's exactly the same
eh, I though KC was terrible but I fucks with AG and BP3. Bottom line is, Empire State of Mind was played heavy up here. Old man can still sell out any arena up here faster than any other NY artist. I'm talking a high black population as well. One mans trash is another treasure. He still the king in these parts. No other living NY rapper loved like him up here.
So is Stan but niggas still despise...
I mean in real life who won that JayZ vs Nas beef...
One of the dudes went on to take over corporate America, performed at Obama's fundraiser on national TV, married "the hottest chick in the game", chilled with Oprah on the stoop, covered Forbes with Mr. Warren Buffet...
And the other guy is Nas...
True, but like I said the other day. Jay turned out fine after Ether. However Ether was like a lyrical buck 50 to this face. Nothing fatal but it's scar to remind him he got cut pretty good & aint never going away. Jay helping bring Nas to Def Jam was like therapy. If he & Nas fall out he again he can say "Look nigga, you may have cut me deep with Ether but I signed you underneath me, nana nana na na!"
So is Stan but niggas still despise... I mean in real life who won that JayZ vs Nas beef...
One of the dudes went on to take over corporate America, performed at Obama's fundraiser on national TV, married "the hottest chick in the game", chilled with Oprah on the stoop, covered Forbes with Mr. Warren Buffet...
And the other guy is Nas...
In real life, Nas won. Their beef was on wax, it wasn't about which billboard ads would be more seen, or who can get the most lucrative endorsement, or whatever...
...Props to Jay, and yeah Jay's has been much more successful, but since their beef was with straight music, everything else after the bolded is irrelevant.
@jek: KC was average and BP3 was terrible, but American Gangster was dope.
In real life, Nas won. Their beef was on wax, it wasn't about which billboard ads would be more seen, or who can get the most lucrative endorsement, or whatever...
...Props to Jay, and yeah Jay's has been much more successful, but since their beef was with straight music, everything else after the bolded is irrelevant.
Even if I did agree with you. Let's say I give you AG. Is 2 albums worth a shit in 10 years that much better than what he accused Nas of having?
for the record, i have researched a lot of nas' unreleased shit and how is albums were supposed to be and honestly, nas was a lot more consistant then jay in the 90s, his shit just leaked and he recorded new shit for i am and nastradamus. qb's finest had the same amount of heaters as thje dynasty. stillmatic would have shitted on the blueprint had he put purple, doorags, no ideas original, nothing lasts forever, my way, black zombies, everybody's crazy and stay chiseled on there. plus, none of jay-z albums after rd were as good as his first. and volume 3 was hurtin.
as far as nas and biggie go, nas was easily a better lyricist than biggie. biggie just had the whole package, and had it by his first album.
For those that don’t know, maybe you could just give a brief history about how you started working with Nas in the ’90s?
I was so inspired by Illmatic. Nas had gotten nominated at the Source Awards for Best Lyricist or something like that after Illmatic. He’d gotten in some trouble and he showed up to the event and he wanted the record company to acknowledge his nomination and get him to the event, get him to perform, and support his whole shit.
I had to go to the Queensbridge projects and ask around for Nas. I had a beige Lexus and I was just driving around just cold asking people. Some other projects had beef with Nas or his guys so when I pulled up on Jungle [and his boys], they pulled out guns on me!
But they didn’t do it. They didn’t recognize the award or the nomination. He actually showed up to the awards show with no shirt on. He went with no shirt on, like, “Fuck that.” It was his way of expressing “fuck the record company.”
No one could get into contact with him, Nas has always been uncomfortable with being famous and accessible. Nas makes music because he loves music, not because he wants the trappings of music, such as fame. I had to go find him. I had to go to the Queensbridge projects and ask around for him.
I had a beige Lexus and I was just driving around just cold asking people. That’s me, I’m that guy. Some other projects had beef with Nas or his guys so when I pulled up on Jungle [and his boys], they pulled out guns on me!
They pulled out, thinking, “Why are you running around looking for Nas?” But Jungle had enough sense to be like, ‘I have heard this guy’s name before.” And then it turned into, “Let’s get son, let’s introduce them.” And I met Nas. Where was your first meeting?
Well he wasn’t in the projects at the time. He lived somewhere else, I just thought he lived in the projects. He lived in another location in Queens, I met him there. So, just off that, he was like, “I want you to help me get to the next level”?
I had a vision for him. I felt like it was my job to make him the biggest guy in the world. I wanted the world to hear his music. I didn’t want him to become a great lyricist but end up like Kool G Rap, a lyricist the world doesn’t get to hear.
I felt like I could take the responsibility and make the Nas movement bigger and not keep it confined to the Tri-State area, so to speak. He allowed me to do that. When we were together, we made a lot of noise and I made him an international star. A lot of people love It Was Writtentoday, but at the time of its release did the backlash bother you when people were like, “Why is he working with Trackmasters”?
When I say that Nas is running a different race from 50, I mean, he’s clearly a better artist than 50, so that has nothing to do with it. He just doesn’t want to do the other stuff. Had he chosen to do the other stuff, he could have made a lot more money. He doesn’t even talk about business like that.
The backlash didn’t bother me. I didn’t want it to bother him. I had known that everybody, that most of the artists at the time, wanted him to be the unknown.
It’s really weird. A lot of artists, they were haters. They didn’t want him to ever see the light of day, not at all. They wanted him to be their best-kept secret while they went on tour and they went on to do other things.
It was when “If I Ruled The World” and It Was Written came out that I didn’t want the noise of what they were saying to bother him, I just wanted him to focus on what we talked about him doing, which was making sure the world hear what he had to say. Nas still speaks very highly of you. But at the time of on “Last Real Nigga Alive” on God’s Son he spoke about losing trust for you. Did that bother you when he spoke about that situation?
No. Nas is an artist who writes from his heart. And relationships in this music business, if having a relationship and a friendship with somebody for 16 years, if you go through a period of a year in which that relationship is rocky, that’s the result of it? That’s a fantastic relationship and I think people should know that.
16 years of friendship, 16 years of coming up together and for us to just have a brief period of time where he thought he should have been doing this and I thought he should have been doing that and we fell out because of that. We’re still friends to this day as grown-ass men.
Did it bother me at the time? You’re sensitive to it because you don’t know what went wrong, like in any relationship. It’s not about harping on that, it’s about looking at what went wrong and building off that. If you talk to Nas today, he’ll tell you. You had the interview where you said that there’s a race that a Jay or a 50 runs, that Nas doesn’t run. Did it ever create a conflict with Nas being an artist and you being a businessman? Well, it caused friction. Nas is a good businessman, he wants to do what he wants to do. Just because you achieve the top of what everybody deems financial success or the glorifications of money, or a spotlight on Forbes magazine, or whatever everybody deems as successful.
When I say that he’s running a different race from 50, I mean, he’s clearly a better artist than 50, so that has nothing to do with it. He just doesn’t want to do the other stuff. Had he chosen to do the other stuff, he could have made a lot more money. He doesn’t even talk about business like that.
What’s successful is when you are good at what you aim to do. And I don’t think that Nas has aimed to do anything that he hasn’t done. So he is a good businessman.
He buys real estate, he puts his name next to certain things that he believes in, and he makes great music, but that’s it. That’s who he is. He’ll be making music and touring for 20, 30 years. He’s one of those guys.
You’ve got to look at somebody’s career at like, 60, 70. And then go backwards and start making these determinations. Running sprints and then saying they’re great businessmen, that doesn’t make any sense.
Its been 10 years and jay z is more relevant in 2011 than nas after so called losing the battle
Aint nothin else to say at this point nas is praised and adulated on the
Jigga is a worldwide icon/legend
Maybe you can apply that to his net worth but on wax? Yeah alright.....he so relevant that he now does whole albums with a cat like YE and get carried throughout the whole joint. Is that the way God mcees carry themselves after droppin a terrible ass album like Blueprint 3? He needs to retire just like Eminiem do.
At one point, he said that he felt like you were spending too much time with Jay. Did that cause friction in your relationship?
I refer back to my previous answer, you go through a period of time in a relationship and he didn’t have to say that. Any aspect of the relationship in which we didn’t see eye to eye would bother me.
It didn’t make a difference whether it was hanging out with Jay too much or the fact that he didn’t like that his album came out in March when he felt like it should have came out in September. It don’t matter.
You don’t want to have any disagreements with a friend. You know? Not disagreements that become public record and that you still have to answer questions about 10 years later. [Laughs.] You guys are legendary figures, that’s why you get questions about it 10 years later.
No, I understand. Another thing that was interesting from your book was about when you were putting together the Will Smith song from Men In Black and SWV’s Coko didn’t want to be in the video even though Will Smith was a big movie star. Were artists afraid to be associated with him at that time?
It’s even worse than that. Nas wrote rhymes on “Gettin’ Jiggy With It” and stopped writing. Nobody wanted to get down with the whole Will Smith thing. Well, Nas did get down with it.
Yeah, he could have got down with more of it. It was like dragging, kicking, and screaming. The artist was so compelled to be hardcore at the time that anything that felt commercially viable, was not adorned.
Nas wrote rhymes on “Gettin’ Jiggy With It” and stopped writing. Nobody wanted to get down with the whole Will Smith thing. It was like dragging, kicking, and screaming. The artist was so compelled to be hardcore at the time that anything that felt commercially viable, was not adorned.
So, an R&B group like SWV was like, “That’s too corny for me. I’ll sing with Wu-Tang, but I’m not singing with him.” So they didn’t show up at the video. I used that example in the book to show you the sign of the times. “Really? They would actually do that?” Yes. Big movie, international superstar and they wouldn’t stand next to him. Cause now if that opportunity came up with the new Nick Cannon or whoever they—
They would do handstands. Kanye West raps with Katy Perry. When you say “kicking and screaming” you meant you literally had to be like, “Dude, just do this. Trust me, it’ll be worth it.”
Yes. And he only wrote the one record, right?
He may have written pieces of another song, I can’t remember the whole thing. But he could have written a lot more of it.
Yes! And Will Smith was like, “Look, man. I am a great instrument to sell a lot of records. I want the dudes that are talented with the pen to come be a part of my team to help write those songs.” And he didn’t want to do it. Did he get in the studio with him, once they were written?
I think they may have gotten in the studio a couple of times, but it wasn’t what it could have been. There was an interview where Cormega was saying that you had a role in him being kicked out of The Firm.
He was never in The Firm, man. He should have never been in The Firm. Believe me, he wasn’t. He and Nas truly didn’t get along. Even when Nas was shouting him out on “One Love” they weren’t cool?
That was cool. He’d just got out of jail. It took him a while to get acclimated to what was going on. Like in a business sense?
I have arguments all the time with Jay and Puff, would The Firm album have been more successful than The Commission album? We know what The Firm album did and didn’t do, but we never knew what The Commission album was.
In a business sense, and his manger at the time, a lot of different things. He’s actually a really good guy, but he felt like Nas owed him too much and felt like he was too important. He wasn’t a guy that was really driven by a team, at that time, and that caused a problem. So even when he was on “Affirmative Action,” he wasn’t actually a part of The Firm?
Well, he was at the time. The idea did surround him and he just bugged out. That project should have been fantastic. I have arguments all the time with Jay and Puff, would The Firm album have been more successful than The Commission album? We know what The Firm album did and didn’t do, but we never knew what The Commission album was. Well, it would have been Jay and Big. So...
It would’ve been Jay, Big, and Kim. But at the time, Nas was much bigger than Jay. Yeah, he was. But Big…
Nas was big. Foxy was huge. Yeah, Kim was huge too
Not like Foxy. Foxy’s first album—Jay wrote the album—are you kidding me? Foxy’s first album was crazy. I mean, crazy. Foxy sold more records than Kim, Foxy was huge. Nas was huge. AZ was good. Nature came in and Nature was talented. We had Dr. Dre on the production and Trackmasters.
But we didn’t make the right album and we had people arguing. I want to make the argument from my heart but the reality is that I couldn’t get these guys working together.
As far as Jay goes, JayZ in his prime was what Wayne is today. He was dope, but only on a commercial level. If you compared him to emcees that really do this, he ranks dead in the middle, maybe a little higher.
It's just the spotlight clouds people's judgment. Some people feel like they have to like him because he's always on the radio. It's like that aight song back in the day that gets stuck in your head because the radio plays it a million times over. That's kind of what JayZ's career was like aka he can't fuck with Nas on any level.
Nas is a bitch who admitted he cried when he heard pacs weak diss ,So he prolly had an anxiety attack when he heard biggie clap him
Biggie Da GOAT and kick in the door is my song
As far as Jay goes, JayZ in his prime was what Wayne is today. He was dope, but only on a commercial level. If you compared him to emcees that really do this, he ranks dead in the middle, maybe a little higher.
It's just the spotlight clouds people's judgment. Some people feel like they have to like him because he's always on the radio. It's like that aight song back in the day that gets stuck in your head because the radio plays it a million times over. That's kind of what JayZ's career was like aka he can't fuck with Nas on any level.
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0 • Wack Feelings Nosign Cosign Ether GOAT LOL •Don't try to use the off wax sucess card.All Jay proved with all those accomplishments is you can get smashed up on wax and still be somebody if you turn into a big enuff sell out, and snake enuff of your comrades that's all.
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0 • Wack Feelings Nosign Cosign Ether GOAT LOL •eh, I though KC was terrible but I fucks with AG and BP3. Bottom line is, Empire State of Mind was played heavy up here. Old man can still sell out any arena up here faster than any other NY artist. I'm talking a high black population as well. One mans trash is another treasure. He still the king in these parts. No other living NY rapper loved like him up here.
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0 • Wack Feelings Nosign Cosign Ether GOAT LOL •True, but like I said the other day. Jay turned out fine after Ether. However Ether was like a lyrical buck 50 to this face. Nothing fatal but it's scar to remind him he got cut pretty good & aint never going away. Jay helping bring Nas to Def Jam was like therapy. If he & Nas fall out he again he can say "Look nigga, you may have cut me deep with Ether but I signed you underneath me, nana nana na na!"
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0 • Wack Feelings Nosign Cosign Ether GOAT LOL •maybe bcuz jay isnt going off making guest appearances, but instead going off the year he released his debut
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0 • Wack Feelings Nosign Cosign Ether GOAT LOL •In real life, Nas won. Their beef was on wax, it wasn't about which billboard ads would be more seen, or who can get the most lucrative endorsement, or whatever...
...Props to Jay, and yeah Jay's has been much more successful, but since their beef was with straight music, everything else after the bolded is irrelevant.
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0 • Wack Feelings Nosign Cosign Ether GOAT LOL •Even if I did agree with you. Let's say I give you AG. Is 2 albums worth a shit in 10 years that much better than what he accused Nas of having?
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0 • Wack Feelings Nosign Cosign Ether GOAT LOL •No it's not. I even said that the "one hot album" line was fallacious earlier in the thread...but AG is still a dope ass album imo.
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0 • Wack Feelings Nosign Cosign Ether GOAT LOL •as far as nas and biggie go, nas was easily a better lyricist than biggie. biggie just had the whole package, and had it by his first album.
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0 • Wack Feelings Nosign Cosign Ether GOAT LOL •- Spam
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0 • Wack Feelings Nosign Cosign Ether GOAT LOL •here is the link
http://www.complex.com/music/2011/10/interview-steve-stoute-jay-z-nas-the-tanning-of-america/page/1
For those that don’t know, maybe you could just give a brief history about how you started working with Nas in the ’90s?
I was so inspired by Illmatic. Nas had gotten nominated at the Source Awards for Best Lyricist or something like that after Illmatic. He’d gotten in some trouble and he showed up to the event and he wanted the record company to acknowledge his nomination and get him to the event, get him to perform, and support his whole shit.
I had to go to the Queensbridge projects and ask around for Nas. I had a beige Lexus and I was just driving around just cold asking people. Some other projects had beef with Nas or his guys so when I pulled up on Jungle [and his boys], they pulled out guns on me!
But they didn’t do it. They didn’t recognize the award or the nomination. He actually showed up to the awards show with no shirt on. He went with no shirt on, like, “Fuck that.” It was his way of expressing “fuck the record company.”
No one could get into contact with him, Nas has always been uncomfortable with being famous and accessible. Nas makes music because he loves music, not because he wants the trappings of music, such as fame. I had to go find him. I had to go to the Queensbridge projects and ask around for him.
I had a beige Lexus and I was just driving around just cold asking people. That’s me, I’m that guy. Some other projects had beef with Nas or his guys so when I pulled up on Jungle [and his boys], they pulled out guns on me!
They pulled out, thinking, “Why are you running around looking for Nas?” But Jungle had enough sense to be like, ‘I have heard this guy’s name before.” And then it turned into, “Let’s get son, let’s introduce them.” And I met Nas.
Where was your first meeting?
Well he wasn’t in the projects at the time. He lived somewhere else, I just thought he lived in the projects. He lived in another location in Queens, I met him there.
So, just off that, he was like, “I want you to help me get to the next level”?
I had a vision for him. I felt like it was my job to make him the biggest guy in the world. I wanted the world to hear his music. I didn’t want him to become a great lyricist but end up like Kool G Rap, a lyricist the world doesn’t get to hear.
I felt like I could take the responsibility and make the Nas movement bigger and not keep it confined to the Tri-State area, so to speak. He allowed me to do that. When we were together, we made a lot of noise and I made him an international star.
A lot of people love It Was Writtentoday, but at the time of its release did the backlash bother you when people were like, “Why is he working with Trackmasters”?
When I say that Nas is running a different race from 50, I mean, he’s clearly a better artist than 50, so that has nothing to do with it. He just doesn’t want to do the other stuff. Had he chosen to do the other stuff, he could have made a lot more money. He doesn’t even talk about business like that.
The backlash didn’t bother me. I didn’t want it to bother him. I had known that everybody, that most of the artists at the time, wanted him to be the unknown.
It’s really weird. A lot of artists, they were haters. They didn’t want him to ever see the light of day, not at all. They wanted him to be their best-kept secret while they went on tour and they went on to do other things.
It was when “If I Ruled The World” and It Was Written came out that I didn’t want the noise of what they were saying to bother him, I just wanted him to focus on what we talked about him doing, which was making sure the world hear what he had to say.
Nas still speaks very highly of you. But at the time of on “Last Real Nigga Alive” on God’s Son he spoke about losing trust for you. Did that bother you when he spoke about that situation?
No. Nas is an artist who writes from his heart. And relationships in this music business, if having a relationship and a friendship with somebody for 16 years, if you go through a period of a year in which that relationship is rocky, that’s the result of it? That’s a fantastic relationship and I think people should know that.
16 years of friendship, 16 years of coming up together and for us to just have a brief period of time where he thought he should have been doing this and I thought he should have been doing that and we fell out because of that. We’re still friends to this day as grown-ass men.
Did it bother me at the time? You’re sensitive to it because you don’t know what went wrong, like in any relationship. It’s not about harping on that, it’s about looking at what went wrong and building off that. If you talk to Nas today, he’ll tell you.
You had the interview where you said that there’s a race that a Jay or a 50 runs, that Nas doesn’t run. Did it ever create a conflict with Nas being an artist and you being a businessman?
Well, it caused friction. Nas is a good businessman, he wants to do what he wants to do. Just because you achieve the top of what everybody deems financial success or the glorifications of money, or a spotlight on Forbes magazine, or whatever everybody deems as successful.
When I say that he’s running a different race from 50, I mean, he’s clearly a better artist than 50, so that has nothing to do with it. He just doesn’t want to do the other stuff. Had he chosen to do the other stuff, he could have made a lot more money. He doesn’t even talk about business like that.
What’s successful is when you are good at what you aim to do. And I don’t think that Nas has aimed to do anything that he hasn’t done. So he is a good businessman.
He buys real estate, he puts his name next to certain things that he believes in, and he makes great music, but that’s it. That’s who he is. He’ll be making music and touring for 20, 30 years. He’s one of those guys.
You’ve got to look at somebody’s career at like, 60, 70. And then go backwards and start making these determinations. Running sprints and then saying they’re great businessmen, that doesn’t make any sense.
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0 • Wack Feelings Nosign Cosign Ether GOAT LOL •- Spam
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0 • Wack Feelings Nosign Cosign Ether GOAT LOL •Maybe you can apply that to his net worth but on wax? Yeah alright.....he so relevant that he now does whole albums with a cat like YE and get carried throughout the whole joint. Is that the way God mcees carry themselves after droppin a terrible ass album like Blueprint 3? He needs to retire just like Eminiem do.
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0 • Wack Feelings Nosign Cosign Ether GOAT LOL •At one point, he said that he felt like you were spending too much time with Jay. Did that cause friction in your relationship?
I refer back to my previous answer, you go through a period of time in a relationship and he didn’t have to say that. Any aspect of the relationship in which we didn’t see eye to eye would bother me.
It didn’t make a difference whether it was hanging out with Jay too much or the fact that he didn’t like that his album came out in March when he felt like it should have came out in September. It don’t matter.
You don’t want to have any disagreements with a friend. You know? Not disagreements that become public record and that you still have to answer questions about 10 years later. [Laughs.]
You guys are legendary figures, that’s why you get questions about it 10 years later.
No, I understand.
Another thing that was interesting from your book was about when you were putting together the Will Smith song from Men In Black and SWV’s Coko didn’t want to be in the video even though Will Smith was a big movie star. Were artists afraid to be associated with him at that time?
It’s even worse than that. Nas wrote rhymes on “Gettin’ Jiggy With It” and stopped writing. Nobody wanted to get down with the whole Will Smith thing.
Well, Nas did get down with it.
Yeah, he could have got down with more of it. It was like dragging, kicking, and screaming. The artist was so compelled to be hardcore at the time that anything that felt commercially viable, was not adorned.
Nas wrote rhymes on “Gettin’ Jiggy With It” and stopped writing. Nobody wanted to get down with the whole Will Smith thing. It was like dragging, kicking, and screaming. The artist was so compelled to be hardcore at the time that anything that felt commercially viable, was not adorned.
So, an R&B group like SWV was like, “That’s too corny for me. I’ll sing with Wu-Tang, but I’m not singing with him.” So they didn’t show up at the video. I used that example in the book to show you the sign of the times. “Really? They would actually do that?” Yes. Big movie, international superstar and they wouldn’t stand next to him.
Cause now if that opportunity came up with the new Nick Cannon or whoever they—
They would do handstands. Kanye West raps with Katy Perry.
When you say “kicking and screaming” you meant you literally had to be like, “Dude, just do this. Trust me, it’ll be worth it.”
Yes.
And he only wrote the one record, right?
He may have written pieces of another song, I can’t remember the whole thing.
But he could have written a lot more of it.
Yes! And Will Smith was like, “Look, man. I am a great instrument to sell a lot of records. I want the dudes that are talented with the pen to come be a part of my team to help write those songs.” And he didn’t want to do it.
Did he get in the studio with him, once they were written?
I think they may have gotten in the studio a couple of times, but it wasn’t what it could have been.
There was an interview where Cormega was saying that you had a role in him being kicked out of The Firm.
He was never in The Firm, man. He should have never been in The Firm. Believe me, he wasn’t. He and Nas truly didn’t get along.
Even when Nas was shouting him out on “One Love” they weren’t cool?
That was cool. He’d just got out of jail. It took him a while to get acclimated to what was going on.
Like in a business sense?
I have arguments all the time with Jay and Puff, would The Firm album have been more successful than The Commission album? We know what The Firm album did and didn’t do, but we never knew what The Commission album was.
In a business sense, and his manger at the time, a lot of different things. He’s actually a really good guy, but he felt like Nas owed him too much and felt like he was too important. He wasn’t a guy that was really driven by a team, at that time, and that caused a problem.
So even when he was on “Affirmative Action,” he wasn’t actually a part of The Firm?
Well, he was at the time. The idea did surround him and he just bugged out. That project should have been fantastic. I have arguments all the time with Jay and Puff, would The Firm album have been more successful than The Commission album? We know what The Firm album did and didn’t do, but we never knew what The Commission album was.
Well, it would have been Jay and Big. So...
It would’ve been Jay, Big, and Kim. But at the time, Nas was much bigger than Jay.
Yeah, he was. But Big…
Nas was big. Foxy was huge.
Yeah, Kim was huge too
Not like Foxy. Foxy’s first album—Jay wrote the album—are you kidding me? Foxy’s first album was crazy. I mean, crazy. Foxy sold more records than Kim, Foxy was huge. Nas was huge. AZ was good. Nature came in and Nature was talented. We had Dr. Dre on the production and Trackmasters.
But we didn’t make the right album and we had people arguing. I want to make the argument from my heart but the reality is that I couldn’t get these guys working together.
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0 • Wack Feelings Nosign Cosign Ether GOAT LOL •It's just the spotlight clouds people's judgment. Some people feel like they have to like him because he's always on the radio. It's like that aight song back in the day that gets stuck in your head because the radio plays it a million times over. That's kind of what JayZ's career was like aka he can't fuck with Nas on any level.
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0 • Wack Feelings Nosign Cosign Ether GOAT LOL •Nas can't act like he ain't have a one hot album every ten years average. Cuz even Nas would admit that stillmatic is his second best album.
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0 • Wack Feelings Nosign Cosign Ether GOAT LOL •I thought that this was a rumor.
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0 • Wack Feelings Nosign Cosign Ether GOAT LOL •Bruh...You don't really believe that.
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0 • Wack Feelings Nosign Cosign Ether GOAT LOL •- Spam
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0 • Wack Feelings Nosign Cosign Ether GOAT LOL •it's kinda funny to say nas has one hot album in a ten year average when it was written killed anything jay made after rd easily.
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0 • Wack Feelings Nosign Cosign Ether GOAT LOL •- Spam
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0 • Wack Feelings Nosign Cosign Ether GOAT LOL •"You can fool the rest of the world, long as New York know."
I grew up in NY, I know the real story. JayZ is not in the upper tier of emcees by no means.
He's dope on a commercial level though.
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0 • Wack Feelings Nosign Cosign Ether GOAT LOL •- Spam
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0 • Wack Feelings Nosign Cosign Ether GOAT LOL •- Spam
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0 • Wack Feelings Nosign Cosign Ether GOAT LOL •King me bitch
The Camel serving the King ........ calm down jigga warriors ......... I'm just playing
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0 • Wack Feelings Nosign Cosign Ether GOAT LOL •