(Note: This is part of an ongoing series breaking down the truth behind hip-hop's smoke and mirrors financial game. For previous entries, click here.)
As we've been winding out way through the house or smoke and mirrors that is the world of hip-hop finance I've received a lot of requests from people asking to explain what the hell a "360 deal" is, a term that's (unfortunately) become pretty damn common lately. Your wish is my command.
In short, if a rapper signs a 360 deal with a label the label is entitled to a cut of anything the artist earns in any medium. Concert sales? The label takes a cut. Merchandise? Your kid sets up a lemonade stand? The label will take that too. While every rapper's deal differs in the specifics, for our purposes all you need to know is that if the rapper is breathing and makes money, the label makes money too. They're involved in 360 degrees of the rappers income. (Get it?)
For the uninitiated that may not seem particularly remarkable, but it's crucial to realize although they're now more common than a Kat Stacks STD, even ten years ago 360 deals were almost entirely unheard of. For decades artists, or at least the smart ones, were careful to make sure that labels only got a cut of projects the label was directly involved in. Here's a look at how a 360 deal would have gone down in 1995:
Label: "We've invented a new thing called a 360 deal. Sign with us and we'll take a percentage of everything you make."
Rapper: "Get the fuck out of here. I've got no problem with you taking the majority of the cash that comes in via my album, you did make and distribute it, but why would I let you take money I make from touring?"
Label: "Um..."
Rapper: "In fact, since concerts and appearances increase album sales, in effect I'd be paying you for marketing that I'm doing myself, and that will make you even more money. That's got to be the fucking dumbest thing I've ever heard."
Label: "You're right, we apologize."
So what changed? For years labels were making so much money off album sales they weren't willing to slug it out with artists over a 360 deal, but with album sales sinking faster than a Louisiana oil rig they feel like they have no choice but to push for it, and incredibly, it's been working. Rappers are so in love with the idea of signing to a major label that they're getting snared by 360 deals left and right, including, most notably, Drake. Yep, that's right. Cash Money's pockets are getting lined every time that Sprite commercial comes on.
The affect of these 360 deals on rappers' bank accounts has been immediate and drastic. The truth was that most artists never made much money off their albums and singles (click here for a look at the percentages) and depended primarily on secondary income like touring, merchandise, etc. to make the bulk of their money. No longer.
So why would a rapper sign a 360 deal? Because like most of us, they confuse fame and money. They think that the label will make them famous, fame is just a front. You can be a household name, but once the label's through picking 360 degrees of your pockets, you might not be making any more money than your average middle class man.
The truth is, most rappers would be financially better off staying independent, becoming established in their region and clearing 90% of the money that comes in, but only a small few are smart and/or educated enough to figure that out. The promise of fame can be blinding, and by the time your vision clears up, all you'll be able to see is an empty bank account.
I found this shss on refinedhype.com
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0 · Wack Feelings Nosign Cosign Ether GOAT LOL ·drake does NOT have a 360 deal.
"Under the unusually lucrative agreement he struck with Aspire/Young Money/Cash Money Records distributed through Universal, Drake received a $2-million advance. He retains the publishing rights to his songs and cedes only around 25% of his music sales revenues to the label as a "distribution fee," his managers said. By contrast, the overwhelming majority of new artists sign financially restrictive "360 deals" that sap their touring and merchandise income and offer much more restrictive profit-sharing.
A dissection of how the rapper was able to drive such a hard bargain underscores an evolution in the music industry. At a time when CD sales have declined by 15% over last summer's numbers and major labels remain more fixated on scoring hit singles than sustaining artist rosters, managers such as those working with Drake have stepped into the void to become king-makers in urban music.
"The record company doesn't have any ownership of Drake," Bryant said. "The label does not have participation on profits. They don't have ownership of his masters. We control his entire career. Those deals don't happen anymore."
http://latimesblogs.latimes.com/music_blog/2009/07/drake-from-teen-tv-star-to-rap-royalty-.html
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0 · Wack Feelings Nosign Cosign Ether GOAT LOL ·yo yo yo I juss got my advance/ spent it on a chain & a b***h/
album flopped i got dropped now im broke as s**t/
SMDH...lame niggaz thinkin fame is the answer. That just displays your ignorants on a wilder scale
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0 · Wack Feelings Nosign Cosign Ether GOAT LOL ·All praises due...to the Owl
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0 · Wack Feelings Nosign Cosign Ether GOAT LOL ·Jay Z's 360 deal is different though. The label gave him 160 or 180 million up front (I think) and they get to recoup from shows/album sales etc.
I know B.o.B. didn't want to sign a 360, but I think he was persuaded to
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0 · Wack Feelings Nosign Cosign Ether GOAT LOL ·So shady
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0 · Wack Feelings Nosign Cosign Ether GOAT LOL ·Its just slavery
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0 · Wack Feelings Nosign Cosign Ether GOAT LOL ·If you own your masters, a majority of your publishing, and your namesake, cutting the label some bread from touring, merchandise, and endorsements can benefit both parties.
1) You're gonna get the majority of that show/endorse/movie money. But allowing the label to get a small chunk of that will not only allow them to make money, but it will allow them to back you more in marketing, as they will want you to get a much endorsement as possible so they can get more money. This means you will get more push on your music as well as any other ventures you may take on (such as acting) because the label can make money.
2) 360 contracts are not forever. If you control your masters, publishing, and your namesake, you will retain all of your royalties and will be able to make money long after you have left the initial label for another one. Meanwhile, if you are truly talented and popular with the masses, all that push that the label gave you during your run with them may be all you need to sustain work on your own or help to give you leverage in securing an even bigger deal with a new company.
Now I might be totally off base and naive in my thinking about the 360 deal, but I think labels are just trying to stay afloat and get breaded off the ventures that you would have never gotten on your own without their backing in the first place.
In an ideal situation, artists would negotiate hard to get a deal that benefits them most. And if this ends up working to save the music industry and makes it massively profitable again, we may see more quality control in mainstream music.
Think about it, nobody is going to back Future on a 360 deal for 5 or 10 years if the guy is going to be irrelevant in 2 and not get any endorsements in the process. Labels would be able to afford good A & R work again to secure talented artists, which may benefit more underground cats who deserve more shine and recognition than they are getting.
Again, I could be totally wrong. But that's just my opinion on how the 360 deal may be good for music.
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0 · Wack Feelings Nosign Cosign Ether GOAT LOL ·J cole has one
B.o.B has one
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0 · Wack Feelings Nosign Cosign Ether GOAT LOL ·if they invest all this money into you when no one is buying cds they gotta make it back some how.
shit i would sign a fucking 360 deal right now as long as it wasnt forever cant be anyworse then the min wage job i got now
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1 · Wack Feelings Nosign Cosign Ether 1GOAT LOL ·they do anything to get pussy. Even be a broke famous dude.
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