Unless muthafuckas are trying to delay the opening of various markets, financial institutions, and literally occupying Wall St. by staging a massive sit in on Broad, Wall, and New Streets. All of these marches ain't about sit. It's time to deprive of these muthafuckas of their money.
When it opens, the National Museum of African American History and Culture in Washington, D.C., will be the only national museum devoted exclusively to the documentation of African-American life, history and culture.
Alan Karchmer for NMAAHC
When peals ring out from a 130-year-old church bell at the Sept. 24 dedication ceremony for the National Museum of African American History and Culture, they will signal the end of a long journey.
The historic "Freedom Bell" usually hangs in Williamsburg, Va., in the tower of the First Baptist Church, which was founded by slaves. It started making its way to Washington, D.C., on Monday, according to The Associated Press, in order to herald this latest historical event.
"The connection between a congregation founded in 1776, the forging of First Baptist Church, the first black president opening the first national African-American museum, all of those dots are being connected," the Rev. Reginald Davis told WVEC.
But in truth, it took more than a few people, and a century's worth of starts and stops, to shift the museum from conversation to construction.
"A long time coming"
The idea of the museum was first proposed in 1915 by black veterans of the Civil War. A year later, Rep. Leonidas C. Dyer, R-Mo., introduced HR 18721, a bill that called for a commission to "secure plans and designs for a monument or memorial to the memory of the negro soldiers and sailors who fought in the wars of our country."
Three years later, Dyer — who also authored the 1918 Dyer Anti-Lynching bill — upped the ante and drafted a bill to erect an African-American monument in the capital. In Begin with the Past: Building the National Museum of African American History and Culture, author Mabel Wilson writes that Dyer's 1919 bill "sparked a round of discussions among the various committees overseeing federal land." There was even talk of building the memorial on the National Mall, but a decision on how to pay for it was put off.
In 1929, things looked hopeful again when Congress passed legislation establishing a commission charged with building an African-American memorial. But once again, no money was allocated for it — it was the Depression — and the project lost momentum.
The museum gained new champions during the civil rights era, but it wasn't until 1986 that Congress passed a joint resolution supporting private efforts to build it. The efforts inched forward in 1991 when a Smithsonian blue-ribbon commission pushed for creation of the museum, recommending that the iconic, red-brick Arts and Industries Building be its temporary home. But political squabbles over funding and a site location stymied that effort.
The arrival of the new millennium, however, seemed to bring with it new momentum to get the museum built. In 2003, Congress passed the National Museum of African American History and Culture Act, a bill making the museum part of the Smithsonian Institution.
Over the next few years, a board was selected and more than $240 million was raised from donors such as Oprah's Charitable Foundation, Samuel L. Jackson and his family, Michael Jordan and his family, the LeBron James Family Foundation, the Kobe and Vanessa Bryant Family Foundation, Earvin and Cookie Johnson and family, and Mellody Hobson and George Lucas. The federal government kicked in $270 million.
"They took advantage of having the first African-American president, and of President Obama's legacy," Emmett Carson, president and chief executive of the Silicon Valley Community Foundation and an authority on African-American giving, told The Washington Post in May.
The other pieces fell into place once the location was decided in 2006: an architecture design team selected in 2009, and finally, in February 2012, a groundbreaking.
"This day has been a long time coming," Obama said during the ceremony.
The Freelon Adjaye Bond/SmithGroup, which designed the winning concept for the National Museum of African American History and Culture, met with Smithsonian Institution members in April 2009. David Adjaye (third from right) and Phil Freelon (second from right) pulled ideas from cultural icons for their design.
The building and collections
Today the 400,000-square-foot museum stands on the National Mall near the Washington Monument. The art of the Yoruba people, with origins in Nigeria and Benin, inspired its tiered facade.
In 2012, NPR's Melissa Block talked to Paul Freelon, architect of record for the project, who described other influences that led to its design.
The majority of the exhibition space is underground. On the bottom level, museumgoers will find themselves in literal and metaphorical darkness: slavery. Then, as they ascend, visitors move through exhibits exploring the Jim Crow era and the civil rights movement, until finally reaching light and joy — above-ground galleries devoted to culture, music, dance, literature.
The Power of Place," an exhibition on the third floor, is about "the diversity of African-American history and culture across a wide expanse ... thematic, chronological and geographic," Paul Gardullo, one of the museum's curators, recently told NPR.
Some of the museum's more than 35,000 artifacts include slave shackles, a dress Rosa Parks made in the 1950s, Muhammad Ali's boxing headgear, and a circa 1918 charm featuring one of the founders of Alpha Kappa Alpha Sorority Inc., the first Greek-lettered organization for black women. (Full disclosure: I am a member of this sorority.)
In that 2012 NPR conversation, Freelon noted that the museum's contents wouldn't just focus on "well-known names."
"These facilities should express the ideals and vision of the everyday person. There were foot soldiers, if you will, of the civil rights movement that need to be commemorated. And often, those stories, because they're unfamiliar, are really quite interesting. And so our efforts to pull out the interesting stories goes beyond just the marquee names that we all know."
That method of organizing the vast collection — and the choices made for exhibits — seems to hew closely to a hope the president expressed back in 2012.
"I want [my daughters] to see how ordinary Americans can do extraordinary things," he said. "I want them to appreciate this museum, not just as a record of tragedy, but as a celebration of life."
I'm definitely going to put this in the Black Excellence Thread, but this is is huge and is worthy enough of it's own thread. I must admit I think the building is ugly as fuck and looks like a stack of crates, but fuck it we have spot showcasing our contributions to this country and more importantly showing the fucking world we were something other than a slave. I definitely have to get down to the district and see this museum.
A Preview of the Smithsonian's National Museum of African American History and Culture
How did a 9-year old, Mikaila Ulmer of Sugar Land, TX, beat out the conglomerate giants such as Kraft, Coca-Cola, Pepsi, Procter & Gamble to land coveted shelf space and a million dollar contract with Whole Foods?
Her precocious response? “I don’t know? Do they make theirs with love?”
Her company, Bee Sweet Lemonade, is the beginning of a Lemonade empire in which the idea came from when she was stung by bees when she was just 4 years old — twice in one week.
“After that I would freak out about the bees — like overreact — and then my parents wanted me to do some research so I would be less afraid. And doing that research I found out how incredibly important pollinators they are, and that they were dying,” Mikaila said. “And I decided to create a product that helped save the bees.”
She dug up an old lemonade recipe from her great-grandmother’s cookbook, and added honey — her way of calling attention to the plight of honeybees.
Beekeepers have reported losing 42 percent of their colonies in the past year. That’s the second highest annual loss on record.
Scientists suspect pesticides may be behind the decline, which could threaten our food supply, since bees pollinate crops.
“The pesticides either get into their brain and they can’t find their way back to the hive, or they have the pollen with the pesticides and they feed it to the hive and then the whole hive dies,” Mikaila said.
She and her family started brewing BeeSweet for local events, then bottling it for a pizza shop. Within a few years they had a company on their hands.
“We donate a portion of the profits we make to organizations that help the bees,” Mikaila said.
Some kids her age might not want to give any of their money away, but she’s okay with it.
“It’s solving a problem in this world. That’s what keeps me motivated to do it,” she said.
Whole Foods Market heard about her efforts to save the bees and is now selling her lemonade in 32 stores across four states.
“She’s asking questions about logistics, what retail prices should be, or margins. She’s incredibly sharp,” Whole Foods’ Erin Harper said.
Mikaila’s family helps her run the growing business that is now on track this year to sell nearly 140,000 bottles.
Even with all this work, Mikaila’s parents try to give her time to be a 10-year-old.
“Every weekend she does something that she enjoys. It may be rollerblading this weekend, sleepover this weekend. You create a balance because she is working as hard as she is playing,” her mom said.
Mikaila said BeeSweet will debut two new flavors this summer.
She said seeing so many people buying and enjoying her lemonade makes her want to grow her business even more. So her work continues, with hopes to create a little more buzz for the bees.
Visit Mikaila’s site and show support: Bee Sweet Lemonade